Ein Stück über den Rand — Still

Feature Film · Germany · 2021–2025

Ein Stück
über den Rand

About and Beyond the Edge

Regie & Buch: Christian David Fischer

★ Award Winner — Palermo IFF ★ Award Winner — Hong Kong Indie FF ★ Award Winner — Iconic Indie Film Awards Honorable Mention — Art Film Awards Official Selection — Tony Lift Off FF Official Selection — Berlin Lift-Off FF Nominee — Indie Film & Screenplay Festival 2026

Synopsis

Bea is an actress — and perhaps too old. For her first solo theatre project, she searches for a beginning but finds only fragments and loose ends. As rehearsals, everyday life and her own texts intertwine, the boundary between character and biography begins to dissolve.

A hybrid feature film about performance, aging and the fragile moment when fiction creates a space for emotions that could not emerge in real life.

Bea ist Schauspielerin — und vielleicht zu alt. Für ihr erstes Solo-Theaterprojekt sucht sie nach einem Anfang, findet aber nur Fragmente und offene Enden. Als Proben, Alltag und eigene Texte ineinandergreifen, beginnt die Grenze zwischen Figur und Biografie zu verschwimmen.

Regie & Buch
Christian David Fischer
Produzenten
Christian David Fischer, Paul von Boetticher
Schnitt
Paul von Boetticher
Dramaturgie
Charlotte Birkner-Behlen
Darsteller:innen
Bettine Beer (Bea Kamphausen)
Sven Carl Gusowski (Stefan Kamphausen)
Juanjo Sanchez (Ernesto)
Ikko Masuda (Ein Mensch)
Lisa Diringer (Paula)
Vandross Alage (Amadou)
Elsa Loy (Casterin)
Sprachen
Deutsch, Englisch, Spanisch
Fertigstellung
Oktober 2025
Budget
15.000 EUR
Land
Deutschland
Filmstill 1 Filmstill 2 Filmstill 3 Filmstill 4 Filmstill 5

Director's Statement

Can a fictional situation make something emotionally possible that real life could not?

This question became the starting point for Ein Stück über den Rand. I did not want to make a film about theatre. I wanted to explore theatre as a space where something can happen that everyday life often prevents: where emotions, memories and conflicts can find a form before they can be fully understood.

The film's hybrid form follows this movement. Reality, rehearsal and fiction constantly overlap — not to blur the distinction between truth and invention, but to explore how both can shape each other.

At the same time, Bea's story reflects a wider question: who is still granted the space to create, to change and to be seen? Through the perspective of an aging actress, the film looks at the invisible boundaries created by age, gender and social expectations — and at the ways artistic spaces can exclude voices that do not fit established ideas of success.

Can art be the place where life finally catches up with us?

— Christian David Fischer, Regisseur